The moveable feasts of chandeliers and wealth

They spoke of wealth (of course I had none)
Their clothes spoke of it, their speech and their
Blonde-honeyed hair, every freckle on their nose,
Knee and cheek. It was always flowers
And poetry that made my broken heart smile.
The light from the sun. Now that was my chandelier.
I always wonder why I felt so small in your world
You are still my dream as tender as a Paris meadow
Diving into the closet under the bed
Filled with monsters and with wild beasts
Dressed to the nines dressed to impressed
I am that woman who sleeps alone who eats alone
In her forest. I wait and watch for you the flowing river
In childhood we were loyal to each other
We were blossoming us sisters and that is the truth
You were my manna from heaven
You were my Moses and my burning bush
I believed that you existed with all your airs and graces
You took your powerful singing place amongst
All the gods and goddesses and I worshiped
You then as I worship you then as you dance
Far and away outwards from my embrace.

Breasts and the phenomena of infertility

All my life I have never wanted children
I have longed for companions but never children
To take care of or to take care of me
When I am at my most infirm in old age
I have always had a travelling heart
And that has been with me season after season
Of all the dark, mocking falling leaves.

There is stagnation between the laughter of clowns
That marks all of us. In the details of their heavy made-up
Faces. The wigs that hides their true features from all of us.
There is a sadness and a pathetic frustration
That lies there like the trees at the bottom of a lake.
Drowning visitors every one never to be seen
By humanity again. Touched by the hands of humanity
Again. And so we say that our fears have lethal airs
And graces. We begin to search for the exit out.
Our moral compass navigates us through the elements
Of air and fire. And whenever our hearts are pure again

We the lovers of futility and imposters
In our dreams. We will become voyagers once again
Our minds and hearts turned into ice, asylum pieces
Every one. The frame psychological. The work
The world and the fabric of the universe darker still
Than our childhood. A child’s world touched by
Swaziland’s mountains, valleys, Lazarus and greener
Pastures, sleep and the richness of a father’s madness.
Humanity goes forward into the exploratory studies
Of both man and woman to find souls there
Some find that they are touched by love

Others find mental sickness, and aberrations
Illness composed of jagged pharmaceuticals, doctors
And pharmacists, a bright palace of harmonious
Music, lords and ladies of the stellar night
Dancing their cold hearts and lungs out as fast
As their legs and feet can carry them. They don’t
Need a world of inquiries. They’re all strangers
In the dead of night and they’re all singing the blues.
Stringing, threading, braiding love knots, Scout
Knots, clotting blood knots feeling the tightness
In their chests while the rest of us live and die.

That Day On The Beach

It felt so real. The rain, the leaves, the lovemaking (but was there any passion, or was it just perfunctory. I did not feel any pleasure. It felt like I was twenty-two again. Living amongst xenophobic South Africans, and Johannesburg people, I sensed winter coming on acutely). And then there was the kiss. Something inside of me died (well I always felt a succession of deaths after writing, and I went cold). Yet there was something there that was still absent. I woke up then. How could I put it into the words? There are no consequences on the astral plane. You lose everything if you think of desire as being simplistic. Oh no, it is much, much more complicated than that. So complex that scientists in North America are studying it. My dreaming of late left me depressive. The illness was returning. There were signs. A homosexual man with beautiful eyes, and sensitive hands passed me on the street. I wanted to find that confidence that I saw in his swagger on the page. I thought if I could do that it would explain everything, especially what I had been dreaming about. I needed to know why romance to me was like a lighthouse. I was always swimming away from it, backing away, getting shipwrecked. Left wondering why I was never anchored?

It was scary. I couldn’t define the moment or the place. Where I was? It did feel as if I had been spirited away to another dimension. Perhaps dreaming vividly can do that do you? This man in my dream well he reminded me of someone who I had met a long time ago. A lecturer I had fallen in love with. Madly in love with. Naïve and sexually inexperienced, he became my world for nearly two years. He was an investment. He was an assignment. He would turn out later to be the love of my life. But with dreaming came a terror. The dreams were not real, and in the dreams I was happy. I was oblivious to the hidden dangers that I experienced when I was awake. When I was experiencing reality. When I say happy what I mean by that is that I felt no fear of anything real or imagined. No fear of hypomanic psychosis or the anxiety, the physical tremors that came with hallucinatory images. There was no darkness. In my dreams there was no longer any experience of suffering, or depression, or the rigid pull of madness, and the mercy of the flight from it in high care. Being on suicide watch. There was no night-land. There were only ordinary people. Ordinary people falling in love, making love, talking, and having conversations about love.

I would dream about all of these things. What was my subconscious trying to tell the self-conscious actor in me? That I should discriminate? That I should do something else with my life other than write? That I should put aside my writing rituals, using cooking as therapy, and go out into the world, find a husband, have those children, walk down that yellow brick road, that sunny road, and accept that happiness took too much commitment, too much energy, time, but just do it anyway. Do it brilliantly. Do it excellently. Do it wisely. Do it effortlessly. If I could bake a chocolate chiffon cake effortlessly, could it not be effortless to bring up children the same way? If I could make a lasagne, or bolognaise excellently by following my sister’s neatly handwritten instructions, could I not make an excellent wife for someone, but that would mean I would have to come clean. That would mean I would have to submit to questioning, to interrogation, of how my mother had ‘touched’ me as a child. The baths we took together. She would always leave the door open. Call me while my father lay sleeping, and ask me to wash her back. I don’t want to remember. I feel a terror whenever anyone touches me.

Don’t let’s go there. I don’t want to think about it. Please. Please. I’m asking you nicely. But she didn’t understand. Educated. Cultured. Highly favoured. Thought highly of. How on earth could she be expected to understand the physical aberration of sexual abuse? The damaged psyche, and mind of the vulnerable child raised in an abusive environment day after day slowly becoming programmed to live complicity with both denial and grief. That explicit violation, that graphic violence, when she could not glimpse into my world. The world of abandonment, and neglect. I thought my father knew. I thought he did. That’s why there were barriers in my childhood world. I thought that we were being protected, shielded from children who were rough. In retrospect I became wiser. Instead I wanted to be like my mum when I grew up, but I was never as elegant and beautiful as she was. Never. I had failed her. I had failed both of my parents in that regard.

Skin against skin like fabric, like sleep, like water in wild places. I don’t need you to show me that you love me, I need you to tell me. I need it like breath, like self-pity, like fractured air, like remembering my Ouma’s wizened hands by arthritis, but know this dearest lover. I know we won’t be together forever. There is a part of me that is terrified of the letting go of you. Seeing you gone from the world of the living to the world of the dead. The world of the dead filled with the utmost of biblical proportions. Realise this. I’m a failure. As a woman I’m a failure, because I would be a failure in raising your children, or dancing with you under the moonlight, or being innocent as you enter me, my hair framing my face. Know this. You do not know anything about me although I might toy with you, or give you my physical body, sate you, leave your body glistening with sweat, and lying beside you in the dark watch you sleep. Watching over until the early hours of the morning. I know you will leave me lover. I don’t blame you. Your children. Show me pictures of them. Show me pictures of your angels. Show me a picture of your soft love light. You know my terms by now.

Call me up if you want to talk, or have a good time. I’ll listen to all of your troubles. I will love you like that. I will make you my world for one night. Your wife I imagine is nothing like me. Is she anything like my mother, I wonder to myself? Women who are anything like my mother always have this need to be worshiped. Women who are anything like my mother terrify me still. I am nothing like that beautiful, elegant woman in the photograph that you have your arm around. Does she truly make you happy? If she does them I am happy for you. I will not miss you. You don’t want to know anything about me, believe me. You don’t want to hear stories about my childhood, my competitive streak, how successful we have all become at not being successful at marriage though, but we’ve passed through life with flying colours with everything against us. We’ve accomplished, my siblings and me I through thick and thin, our flimsy dreams, those goals our parents had for us excellently, though not as excellently as I would have liked for my own life. No elixir of a sunny road for me and my sister. Have a heart and don’t wake up yet.

The only place where I don’t feel a fool, where I feel safe is here in your arms lover. Here I forget about Dante’s hell, genocide, and the holocaust. Let me forget about Rwanda and Auschwitz. Bergen-Belsen and Vladimir Nabokov’s Lolita. Let me forget about that day on the beach. Tracing the Caesarean scar, fingering it as if all the stitches would collapse into thin air, and I wouldn’t exist in this world. I would be gone without a trace. Help me to understand the lack of mother-love. Win. Win. Win. My teen-age heart would chant as my name would be read out. I would make my way to the stage and the principal would hand me something beautiful. A certificate. Intelligence was never enough. A vague kind of prettiness, an attractive personality was just never quite enough. Please, please, don’t let’s go there of all places to a time I’m through navigating. My own personal hell was what invisible people called childhood. I am Alice. I have a Cheshire cat. I live in my own wonderland, and I’m sure as hell not going to let anyone take that away from me. I don’t want to remember the lack of mother-love. The quiet, that open door leading to the passage of promiscuity.

The hair was always damp at the nape of her neck, curling slightly because of the steam. With the scent of soap on my hands I would wash her back in circles. I remember her hunched shoulders. She hunched her shoulders (was she hiding her breasts, was she insecure, or was she just tired of her highly-sexed manic depressive husband). After dressing she would show her Caesarean scar. Tell me how the doctor had taken me from out of her, like Jonah and the whale. Now grownup I have more of her personality than my father’s. Don’t touch me. Don’t touch me. Don’t look at my face. It will have to be in the dark if you want to really make love to me. Why do you desire me, me in the first place? Are you anticipating my permission? What are the terms of love, of being boyfriend and girlfriend, of the mother who says she is tired, cannot read my essay. I am not a child of Buddha. I am a child of something lesser. Self-actualise that. First I’ll go down on you. In front of you on my hands and knees I will beg you to humiliate me. I will, promise. A psychologist doesn’t come with multiple choice questions where you have to color the blank dot in next to the correct answer.

To tell you the truth I have no desire to become a wife in real life. I don’t find it appealing in any way. It’s not attractive to me. Like the way the words Los Angeles moves me. Its waves gives me the feeling of good vibrations. It seems married life would mean I would have to give up the writing life. I would have to put on a pretty face in photographs and smile. And what if he drinks? And what if he smokes? How many children does he want to have? Does he like red meat? Does he like exotic dishes like couscous, will I have to become adept at trying out new recipes, or will he like to eat out, and try fancy restaurants, eat dinner there every night, or is he a steak and a potatoes man like my grandfather once was. He had two children by another woman. My grandmother persevered. She was a strong woman. I could not be that strong if my husband looked for love with another woman, and took her to bed. My mother has taught me nothing extraordinary and everything about women. How the seed of manipulation is planted inside the man’s eye. How different a woman’s personality is from a man’s. Her sensuality. The second sex’s femininity, and sexuality.

How man must be forgiven for thinking only of his own aura, his identity, his psyche, his ego, the frailty of his mother, and how much more delicate she becomes now that she has grown older. Now that a man’s mother has become elderly, ended up in a home, the best his salary can buy, he becomes aware of his own mortality. All people should be encourage to grow something. To plant something. To nurture something on a patch of land. Plant a tree, or forest. My mother did. She would spend hours hard at work in her garden. We had a perfumed, moneyed garden in apartheid South Africa and post-apartheid South Africa. That was mum’s triumph. She had no close female relationships. To me that made her exotic. As an adult I have no close female relationships. I should have seen it coming. Instead of marking it as a milestone. Why didn’t you love me mum? That day on the beach I called out your name. Why didn’t you turn around and wait for me to catch up to you? You made me hate you. But you couldn’t hear me. And I felt like a child in time waiting for you again. Like the day you forget to pick me up from my extra lesson, my rehearsal.

The day we didn’t have enough money to pay for our groceries (it was a Sunday. You were wearing your church heels. You looked impeccable as always. I was wearing white stockings. How you never smudged your creamy pink lipstick that found its way into the creases of your lips was always a small wonder to me). You, you, you left me standing next to our trolley filled with bags of food that would last us for the four weeks of the month. Went home which was twenty minutes away from the shopping mall to get dad’s credit card because you did not have enough money on your own or salary had not been paid into yours yet. Vincent, my cousin who was staying with us because he was doing a bridging course at the local college who was older than me, more mature than me, turned his head, and walked away from me. He ignored my plaintive stare. And I wish he had waited with me. That would have been kind of him. But Vincent was never kind to me. Only until he found the sunny road of having a spouse, raising two kids of his own. Did he buy his Indian wife flowers, expensive perfume? Did his son and his daughter know that at night he found himself engrossed by erotica, downloading it off the internet, that and violent pornography too. I guess that’s what every man does. Find women electric. When do they first become aware of that? That desire.

Like the desire I feel not when I’m their company, but in my dreams. Of course I remember everything. The heat of the day. Dust. That Sunday morning. I remember the cashier smiled a crooked little smile, and I looked away. I remember the young man not much older than my cousin who had put the groceries in the trolley. He did not meet his eyes. Men grow cold as girls grow old, right? Right. Beautiful children are always surrounded by an aura of the mystique of sexuality. Are girls going to grow into being promiscuous or virtuous? Are they going to obtain a degree and change the world around them, or make a man happy, serve his needs, butter his toast, make his breakfast, have children, become unhappy, drink too much of that merlot, or cabernet, and lose their looks no matter how intelligent they are in the beginning? In their formative years. Women do not find romanticism in pornography. They want flowers, and expensive perfume. They want a house, spacious enough for their family to grow, to fill with the heart’s desires. Everything expensive, expensive, you see.

Everything of the best, you see, you see. But I’m easy. I’m your relief lover. I’m your release. I have a natural born killer instinct. My physical body is all you’ll ever want, need, desire. I am your conquest. Although you’ll never know anything about my spiritual poverty, only how insatiable you make me feel. Tender is the night, my darling. We met on a beautiful summer afternoon. It felt like a summer’s day. I wanted to brush your dark hair that framed your features out of your face, out of your eyes. Of course I immediately fell for you, walked by your side, fell in with you, in step with you, kept up with your pace, warmed to your life, to your genuine dignity. You must understand all I felt was gratitude. I stopped thinking about the arrival of death. The wish-fulfilment that I sometimes carry with me in my darkest hours, and thoughts of despair. When it comes in waves, fashioned by cutting through the quiet light I think of you, of us. I watched you very carefully. How you would punctuate your sentences with a hand gesture and all I could think about was that hand on my wrist, or that hand in my hand. All I could think about was that hand on my shoulder, in the small of my back.

All I dreamed about was that hand on the nape of my neck. And that childhood barriers were no more. I became angelic, ethereal, otherworldly, and you were my prize for all the effortless commitment, and refreshing hard work I had put in for all my adult life. That made me feel pure, that washed away all my sins in time. I felt highly favoured. And then there came turning points, the unquiet otherness of revolution, selfhood illumined, and imagination. You began to inspire me. We did not have to speak for hours, or childhood. Thank you. Thank you for everything that you did for me, and most of all, your generosity, for the long hours that we spent in each other’s other company. Thank you for the laughter that you awakened inside of me, and I am elated that I could perhaps in some small, treasured way have done the same for gifted you. Thank you for your talents. For passing on your knowledge, your life experience, your influence to me. For wiping away my invisible tears, my rain, and my moods that were like a season of bad weather, for your inspiration, and everything that composed itself around that landscapes of my picturesque happiness. I know who you are now.

Some days the negativity is still there. I know that that will always be so. It’s a fact of life. But the silver lining is also a fact of life. Golden, golden. Always golden, like my glorious notebook. There is nothing that I can do about that, and there is a succession of men in a never-ending line. I know they will never stay for an indefinite period in my life, but they will teach me for as long as they can all they know about the world around them. They will accept me for who am I in the role that I decide to play while I am in their company. The petulant child, the docile girl, the gamine adolescent, or the adult woman in her thirties who now accepts her infertility, her education, and her culture as only she can. On her own terms. She will call it self-control, order, and the blurred lines that veil all the legalities in between. It is not that I want to forget the decisions I made in my early twenties, it is not that I want to forget my depression, it is not that I want to forget about my the chosen field of my career, my choices, whether they were the right life choices, whether promiscuity is a lifestyle, or phase, or why it comes more naturally to some women than it does to others. Fact remains. I remember.

Always will. Goes without saying. What more can I say, offer as proof for my life, for my love, for my desire, for my willingness to surrender, and permitting myself to life, love, desire, and willingness? And now it comes down to this. Yes, I was always going to come around to this. I know why I had to meet you. Both of you. I’ve accepted what you had to teach me, and this is the time for me to move forward. You are no longer my possessions. My Keats and my Shakespeare. I know why we will never meet again. But I have accepted that now. Why I had to dissolve in that euphoric happiness, and let my spirit be cleansed by it. It’s all coming back to me now with so much intense clarity of thought. The romanticism is coming back to me. I am wiser now. Shelved that day on the beach into memory. A past that is now dead to me. But the both of you. All of you will never be dead to me. Wise thoughts. Annihilating wisdom. She did not love me, my mum, but you did. She did not desire any part of me, like the both of you did. One in an introverted, old-fashioned, gentlemanly-like predisposition, and the other madly. I don’t think of you as ancient.

I never thought of you as an old man (perhaps shy when you made your intentions known, what you really were after in the end, I didn’t understand, let me explain why, or have explained to the best of my ability here in this story, only it is not a story. For surely you can read between the lines. Read that I am writing to reach you. Perhaps one day you will get this), only older, wiser, much more advanced than I was. Your skin was only a fabric. You annihilate that day on the beach. Everything negative from my childhood. The lack of mother-love. Her lack of desiring of me as a child, adolescent, and young adult. Conversation with me as an adult woman filled her own needs, and desires. You are my turning point. You are the inspiration, the fluid escape behind the poetry that I write, and send out into the universe. You are my light. My Southern cross. You are my lighthouse. ‘You reduced me to a thing’ constructed of an inter-dependant psychological framework. The room that I go to to escape from the rest of the world’s magic, when I want to be alone, or when I want to write. Separate myself from the predetermined original, and cast myself out into the spiritual world.

I had to become the otherworldly, ethereal feminine instead of just existing in the realities of this world. I grow into a shamanic Cinderella in that otherness world, grow attachment to my writing rituals once again. Grow attachment to the invisible. There is a new man in my life. There will always be a new man in my life. I can’t summon up love, adopt it, or yet make the proper adjustments yet. Perhaps this time I will not destroy what has been given to me by God. You are my manual. You are my survival guide. I must believe now that another man will take your place, and that I will love again, but this time this love, the romanticism that will take place will be different, and once again I will feel safe. And this man will be a sage. This man will be a scribe. This man will be an artist. This man will do a great many things in his lifetime, and I will be by his side as he builds his kingdom, empire after empire (so this is why we had to meet. This is why I have to feel a succession of deaths after I write something, put it away before I send it out into the world, like a shaman’s smoke signals. This is why I had to desire you, feel the pain of the mind acutely, and feel anchored by sensitivity.

And love, and the humiliation, the ardour, the embarrassment, the shame, the blessed abundance of wisdom that comes with it all. With wanting it all. If the glove fits. And most of all the measure of it all. Perhaps the next man will be a poet. Rhyming the cosmos telepathically with his eye to the telescope to every star in the fabric of the universe. Will it be under his self-control? Will it make him alert to his innerness, his humanity, humility, his own shimmering depression, and attempt at greatness, or accomplishing great things? You can talk, and talk, and talk about your empire, and the empires you want to conquer, and the fact that you want to go on to build a kingdom. I’ll be quiet. Rest my head against your shoulder, sit next to you, be your pretty woman if that’s what it takes. Go down, down, down to the depths of your despair, your moments of humiliation (not mine), of utter desolation (yours not mine), and I will finger that sacred gold band as if it belonged to me. Imagine all kinds of things (this is what makes me a dangerous woman. This is why I will never be yours for long). Can you imagine all the difficulties of a mental illness? How I will threaten your world, your livelihood?

Instead let me imagine the pure light of the angelic off your face, and learn to erase it from memory. Let me erase the shine of it off your face dearest until it is once more like a blank slate. I’ll imagine that white wedding lace, the happiest day of my life that belonged to me and you, our union before God, in front of guests in the church where our children will be baptised, what do you say to that? Cat got your tongue? Are you strong enough to remain by my side, to be my man, to take me on, that and the illness? Stories are meant for books, for the literary establishment, for publishers and editors. Despair is meant for tortured poets. I can act to death, sometimes with a little success. I can produce many, many wonderful things with my female intuition, and my feminine understanding, and sensitivity, swap recipes, torture spices in the kitchen, wipe down counter tops with smiling finesse, but you will never see that side of me unfortunately for long. Soon I will take to my bed. I need my rest. So do the voices that rain down on my parade, rain down on me like coins in the metro (Ezra Pound’s metro). And I will go from Alba to Orlando, the face of love to camping out in a mysterious desert in the wilderness surrounded by shrub, and heatwaves. So this is it then for me. Time to say adieu.

Time for me to go from happy go lucky to frustrated. It can take me hours to do menial chores, or not to do them at all. Parting lover is such sweet sorrow, but like everything I do it damn well. I impress as I move from the world of the ordinary mundane, the ordinary madness, to the world of very real, very exquisite madness. I need books. What you don’t understand is I need my books. Without them to be quite honest I feel quite lost, don’t have the energy to take a shower, wash my hair, and brush the tangles out of it. I need information. Anything will do. Take this shroud away from me. The darkness. The negativity. The depravity. Give me up instead to purity. I don’t know why it’s not making any sense to you when it makes perfect sense to me. I need plenty of them. I need them around me. Covet them. I need them within reach. Need to make sense of the words. I need to find something to do. To fill up my personal space, the hours in the hospital, from keeping me from going bored, or high, or low. Depressed that I cannot keep you, have you, consume you at any time or hour of the day. And in my writing the highs, and lows shows. There is no more you therefore there is no more inspiration.

There is no more ardour. Once childhood governed me, like that day on the beach with my mother always governs me. She’s dancing away from me, out of my reach. And I’m dying a fate worse than death. Doesn’t every child who is at first vaguely away of the lack of mother-love? I’m always rewinding that death cassette. And I dance too slowly to the music. I can never catch up to elegant her. Although I wish that the two of us could be watching television together right now. Though I’d be reading (engrossed in a novel), and you’d be watching the World Cup. But the reality of the situation is that you probably are. And the woman in your life is your wife. Confess. Confess, I hiss. You will not be under any obligation to be there, from relapse to recovery, although I would want that very much. But I would want you to know that without me telling you. Do you worry for me, darling? Darling, well don’t. I don’t want your pity. There is no remedy for it anyway. No remedy for this chronic illness. Electricity and I go good together. We’re perfect for each other. It cuts right through like a blade. You put that blade against my wrist and what else do you but put pressure on it. Blood divine.

Oh, blood divine.

Adolescent Girls

‘He says you smell like crushed pineapple and coconut oil.’
‘Is that a good sign?’
She nodded her head carefully making sure she was understood.
‘He says he wants to make out with you.’
‘Oh really.’ She blushes but you can see that it makes her happy.
‘So?’
‘So, do you want to?’
‘Want to what?’
‘Stupid girl. Do you want to go and make out with him in the woodshed?’
‘I don’t know. Do you think he respects me?’
‘Why do you ask that? It’s not about respect. Don’t you want to be popular? Don’t you want to be my rival?’ Elizabeth turns her head to hide the smile on her face.

I’m sure it’s cold in the woodshed. Already it sends chills down my spine. Elizabeth is popular. Elizabeth doesn’t care what anybody thinks about her. She drinks and she smokes. I am her friend. I don’t know why she likes me. Seems to have accepted me. To me there is a silent threat in the brave that go ballooning, the family tucking into the potato salad at the funeral, expressions from a family picnic in childhood, from memory and desire a cook for all seasons from childhood, and that roast in the oven with its juices running dry. The triptych expressions of a modern day Picasso. It is all a feast of vertigo to wash away my sins. I hear voices.

I have heard them since childhood. They came out of the closet at night like vampires. Dancing like mad at the bottom of my bed. Chattering away like hummingbirds. They come out from under my bed. They are armchair travellers in their private self-worlds. Those ghost people have wings. They have an angelic shine to them. They breathe in ice. I am the experimental nation. The boy can’t see. He doesn’t have a third eye. He’s handsome. He drinks and smokes too. When the others come for me I have different personalities. I’m obsessed with the supernatural, reincarnation, illusion and imagination. But I’m also obsessed with celebrities, swimming, Egyptology, genius, philosophy and couples.

‘But what’s it really like?’ she began to whimper.
‘What’s it like?’ Elizabeth repeated with a snort and not for the first time I wonder why we’re friends. Is it only because she sometimes copies down my homework for class. Is it only because I am cleverer than her by far.
‘Okay this is what you do. Pretend he’s like a vampire going in for the kill. Why’re you such a scared cat now all of a sudden? Don’t you want to do this?’
‘I don’t know.’
‘Look. It’s not that hard. He’ll perhaps hold your arms down, sink his teeth into your neck and all you have to do is perhaps moan a little kind of like you’re enjoying it. That’s all you have to do. It’s not history or calculus. It is really not that hard.’
‘But why me?’ Elizabeth just rolled her eyes.
‘Because you look white and talk posh, Coconut.’ Was Elizabeth’s reply. And then she realised that she could back out of it if she wanted too.

I wear the shroud of troubled and illness well. Assia Wevill little earthquakes shooting off inside her heart. Assia Wevill little earthquakes shooting off inside her mouth. The perspiration glistened on her skin. She certainly never seemed wasted on anything other than the otherworldly. Sylvia. Syliva. I will scream I promise I will if I ever hear that name again. I can hear her breathing down my neck. I can smell the gas. Can’t feel her pulse. I am letting her go, surrendering her to night land. For isn’t night time, and the dark where she belongs with her head filled with the elegant math of night time and dark. I always feel dissatisfied with my writing as if I have never done enough. And Ted looks at me as if he knows better. Lift your head. Arch your back. As if that is all I can do. Look perfect on his arm. Flirt and flit. You don’t talk English proper but that’s okay you were a beautiful child who grew up into a beautiful woman. But I want to tell them that I have news for them beauty does not last forever.

Housebound cooking and cleaning like mad and looking after his children. Teaching them German. Death becomes you. They all stand around him. They all smile and nod. I wonder what it will be like to sleep with his doppelganger who will probably have half of his intelligence, his wit and charisma. Ted’s poetry reminded me of how vital our humanity is to us. And every day he makes promises he will never keep. He tells me that the bruises will go away. But I know better. I know they will never go away. And what I say goes. And the bruises will never go away. There I said it a second time and you can’t make me take it back. I didn’t know who I was on my way to seduce when we went to Devon. Strange as it may seem now. I didn’t ask myself beforehand, make notes in my journal that I was going to seduce Ted Hughes the future Poet Laureate. Luncheon of meat and potatoes again. My lunch of blood. How I wished I would never have to cook another meal for Ted’s father again.

So inglorious of everything I said and did. Ted and I would just have to look at each other and he would say something, do anything. It was almost as if she was there in the room with us. Spying on us. All suicides go to heaven. They’re on a heavenly course. Navigating the silver linings of clouds. Wet hair smelling of driftwood. Feet finding footholds at the bottom of the lake. Sinking fast. Swim seraphim. Swim you modern day Sappho. You phoenix, you but you refuse to rise out of the ashes. Where’s your spirit quiet little contemporary, you funny little stranger you? Are you commandeering bliss? Stoker’s Dracula is hideously obscured by history. After that all the men that I met in my life seemed severely damaged to me as if I could see the childhood trauma on their fingertips. Fashioned after Stoker’s Dracula. Every one of them. Their wives were no longer thin, gamine brides awash in the illuminating glow of newlywed radiance.

Do not go in there. The voice said to no one in particular. You will be skinned alive. But I don’t know that voice. It is not familiar to me so I don’t pay attention to it. I also do not move from where I am standing. I am not yet a woman. I am not yet Orlando. I am not yet Lady Lazarus. If I go in there I will become a vampire. I will become a female version of whatever is in the woodshed. I don’t want to play this game anymore. The boys leave my sister and me alone. We are left standing on the periphery. We’re interlopers.

‘Don’t you want to see what’s in there?’ I ask my sister tugging on her arm. She’s ignoring me. Something else has torn her interest from me. So I turn back with her to follow her home.

There’s a loss that comes with breathing. But the stranger in the ghost house has no voice. He does not speak of self-help, a shelf-life and a double life, red dust, dead parakeets, sweat running down his wife’s back, the madness and despair of Liberace. Something is unanchored yet still beautifully functions. Something is productive. It is called family and the awareness of coming home, a flag was planted here in the South’s wilderness where a genocide took place, there’s whisky in a glass. There are books that are a sanctuary. An Eric Clapton record is playing. The red dust of this county does not speak of self-help. There is a suicide. A death in a river. And the police come. The police come in the middle of the night. Like the detectives in plainclothes that came to my house in the middle of the night when my brother took a knife and stabbed my father. Nothing romantic about it. About the onslaught of death, of it catching up to you.

Like a thief in the night, a cat burglar, a cat drowning in a bag with her kittens, that is how I felt as if I was a drowning visitor. I saw guns that night I led a double life. I pretended I did not see or hear anything and inside I was numb. When I saw my father’s blood. It had an oppressive quality. Like everything in my life so far. The drugs refused to work. So I took more and more of them slept all day and all night. The double life of the romantic jasmine. It lives and it dies and it lives and it dies. I can talk and talk and talk and no one will be listening. Down the winter road I came across men who stare at goats. Men who were good dancers. Men who were good actors, some were heavy drinkers in my mind, and philanthropists. The knife was sharp. It struck air again and again and again. And then is was anchored in skin. I didn’t scream. I was a Scout’s knot. Ran in my sandals to the neighbour’s house as fast as my feet could carry me. Outside the air felt cool as rain.

How I wished it had rained? But there was no rain that night and they called the police. Down that winter road there’s no romance in death, hair and flesh coming loose. And still daddy was left standing, unafraid. My brother was prancing around all of us, smirking, smiling. With cunning deceit, high he was having his cake and eating it too. Pinned daddy to the bed with his arms like shark teeth. My mother had ran away in the dark. I was left with notes, a stem and a route to follow. A flowering bleeding heart making waves, beating fast. It was Christmas. It was Christmas. But there were no presents. To hell with it if I do not ever fall in love. It is a case of much ado about nothing. I have lost my mind and recuperated in hospitals. Once again become anchored to reality in recovery. I do not have a brother and I do not have a sister. I do not have a mother and I do not have a father. They live their own lives, so they amuse themselves. While I am kept sheltered in Pandora’s Box.

It is a box filled with romantic villagers. It is a box of my own making. What a comfort they are to me. I am an orphan on Okri’s famished road. I am Nabokov’s and Kubrick’s Lolita. And soon I will be forgotten like breath. The moveable feast of sex, romance and death. Damaged, damaged, damaged but I must not speak of it. It will be the death of me and I must live a while longer, sit on my throne, collect bones like arrows that fall from the sky. I must collect bones like dust because curiosity has killed me but I have nine extraordinary lives. I am left smiling like the Cheshire cat. This is the brother who I am supposed to love. I do not admire him anymore. I feel nothing for him. When I remember that night from hell. If he had a gun we all would be dead. I cut up the onion, seduced by its layers. And I cry for what has been lost, gems every one. My youth, my youth, my youth and there is no ring no ring on my finger, all those chronic wasted years. Now he is Lucifer manning.

The gate to the wards of hell. My boy what has become of you? Water. The secrets that we keep are committed to memory. They’re lessons in the needs of people around us, a lesson in obedience, sometimes even wisdom. And it takes bold work for us to realise that the future is bright when sometimes we are challenged, when we have to mine glory. And make a ceremony out of it. There are profound ingredients that goes into making a spaghetti bolognaise. Family is of course the first priority. Next the butcher, mint from the garden and limes for the cocktails. Footsteps on the stairs and laughter scribbling in the air. With the advent of avocados and mangoes perhaps they were the first fruits. Food for thought in the Garden of Eden even before Eve was made from Adam’s rib via the maturation of a human soul and a vortex in flux. Young woman on the verge of a nervous breakdown. I cannot live in water forever. My mother is outside in her garden working in the hard ground of winter dragging rose bush after perfumed rose bush. One side of the house a vegetable garden, the other filled with the seductive theory of fruit trees.

And then as if woken up from a dream the day begins.

Illusion written on the body

Nature, climate change –
Those great, delicate things.
Much like the depths
Of the unsaid between
The woman who is a lover
And the female who is a mother.
The haunting tones of both.
The anxiety in the symphony
Of both. Her mother a bride
At twenty-five. Albums
Full of photographs.
People (some long dead and buried)
Captured on camera that still used film.
She taught her daughters
That although the potential,
The fabric of truth was there.
That love, married life, and
The sexual transaction
Won’t always triumph in the ways
That illness in the world would.
Ted Hughes’s winter pollen
Has descended upon the chilled earth.
For every blushing bride
There is a flushed groom.
Nobody speaks about
The difficulties of married life.
When does love torment?
When does love become winter?
Angels. The children sprout
Wings of rain as they run through
The sprinkler. Innocents.
What the adults who live
Vicariously through them
Would not give to experience
Childhood once again.
Memory, memory, where art thou memory?
Stems tearing themselves away
From the root, making their
Way towards the sunlight.
It is the most natural feeling
In the world for any woman
To want to have a child.
On her infertility, she is mute.
It never comes up in interviews.
The fact that she is also
Not married. Also not in love.
So all people tap dance their way
Through life and childhood.

Sleeping Woman as a Prophet

I will not smile because that is not what attracts you to me. Instead it is fire. Instead it is sitting in the school benches once upon a time, breathing lessons, celestial navigation, driftwood, and a forest of winter trees, the force of the night swimmers, the beach and making each one in its exclusivity sound poetic. Sound the most exquisitely poetic. What is the first memory, the first desire, the primitive attraction and separation anxiety of the magnificence of creativity in the origins of the organisation of feminine intelligence in contemporary poetry? Is the proper voice not the voice of the lover, the voice of the child full of jubilant innocence?

The voices of mother and father in unison giving their child their first standing ovation, grandparents in attendance looking on priggishly mere caretakers of the illumined situation? How quickly pasts are mended, futures are healed and mended? Here is the beginning stages of the organisation of the origins of feminine intelligence. She is schooled in thoughts of culture, a masculine wisdom, vision, and educated by an otherness in luminous stream of consciousness thinking, writing. We need to be drenched in both perspective and identity. Our winning power (that which will never cease) lies in trying not to destroy everything that is above us, and that we believe in. Even our failures must inspire us. For the woman who can’t have children her infertility must inspire her to greater heights.

Whatever was taken was the brightness from the air that made up the shine of artistic genius and it was given to me like the besotted Milky Way, the tangled fabric of the stars from the universe at night, the moon and stars inseparable intuits from the beginning of time. Both pulling down the shine of artistic genius a veil as thick as a tapestry. Is the sanity of a female poet as graceful as a shipwreck left to the gracious mercy of being the bride and bridegroom of nature as we think it is? Aren’t we all, aren’t you just a little bit at the mercy of the creativity’s elusive artistry. Its ravishing blues, the breakdown to end all breakdowns, the be all and end all of the nervous breakdowns? Is it just chemical?

Is the sexual impulse, and that drive just the glamourous rub of love, as glamourous as lipstick? Does the female poet promise that it, her words can never be more than that? Sometimes I catch myself saying those words without really meaning to say it, to say them. I try and detach myself from the glowing artful truth of them. Composing stillness, a courageous stillness, the stillness of intelligence, which is a feminine intelligence is poorer for having known the poverty of the world, and spiritual poverty. With all of the perversions that we discover in this world. With the intimacies, braveries, warriors we learn to let go, surrender if you will. We must or how can we live? We are all waiting for gifts. As a reward for futility or to take upon as just another responsibility.

There was a journal full of darkness in this most primitive of landscapes. Where winter promises snow, the harvesting of into the black, of one bleak and desolate landscape after the other the female poet projects herself into the canvas of her work. Her life becomes the poetry. Art mirrors life. Life mirrors art. The reflection of the female poet is a studious, effortless and conscientious project. The female poet only has to be wild and knowledgeable. She is an animal with a gull’s wings and fortitude. She instructs, she corrects, she astonishes, she admonishes and she knows that to live in this world she has to be the swan. She has to swim.

But she must also have the insight of the ugly duckling, the Cinderella phenomenon, the Plath effect. A female poet knows when to sing, when to be mischievous, when to be the swimmer, the bride, give in to the environment, nature and when to love until she can feel it humming in her bones, giving into it through the fabric of her skin. The female poet in love knows when to surrender. The female poet when casting spells knows when to surrender. The words are there for us to go back to like a complicated film of us in a breath-taking way. A female poet does not need the eye of the public to watch her every move to know that she has made a difference in the world. She only needs a child’s all-knowing eyes.

When it comes to rain it always dances like the gestures of imagination, and like the chilled earth in your hand that roses grow from, that fields of grass wrestle with themselves in, trees are not the interlopers but merely angels in another dimension with their branches acting like wings. You can tell yourself that here’s the breakthrough I’ve been looking for. Here’s the book of secrets my heart’s been longing for. And then you will realise that these are all gifts within the hours of your quiet desperation.

And that the vision of the female poet is in full bloom when she stands at the mouth of a river or not. When she’s hungry, whatever the origins of her beauty is, and most especially when she’s gone underground like some animal seeking shelter from the elements. There she stands. Blooming beautifully with her gift. Her poetry is fresh. It is her pound of flesh. It is her Renaissance. Isn’t the ancient dust under her bare feet delectable, hard won although it is a romance that is as good as dead, and she wants evidence of the cities, of life there because she doesn’t think she’ll make it if she’s plain? If she’s ordinary, if her madness is staggeringly ordinary and most of all if her poetry is not useful, pure enough.

Where’s the oeuvre of a female Chinua Achebe (a series of haiku)

Haiku for Jean Rhys (suffered from alcoholism and manic depression)

The photograph in-the-red-box.
Like the juices of the succulent-roast –
The-death-kit it keeps me sane.

Haiku for Susan Sontag (died from breast cancer)

Fragmentary in-my-world-reality.
Here comes the blue nurses’ sleepwalking-again-writing-on-my-body
Ice-cometh with their death-kit needles-galore.

Haiku for Sharon Olds (suffers from and still lives with estrangement and divorce)

I like your death-kit-beauty that-pours-out-of-you.
Your territory so-pure-like-childhood – I-surrender-to-it –
Like Alice-in-wonderland, star maps, our-wedding-cake.

Haiku for Anna Kavan (heroin addict, died from heart failure)

In her volcano-garden there was-death-kit’s-silence –
Hellish ice-revisited. Human-stupidity. Heroin was-the-mistake.
Your weapons-against-the-tigers was writing-it-brilliantly off.

Haiku for Ann Quin (died from a suicide attempt)

The-portrait-of-the-sea- came with mansions –
Brighton’s waves shielded all this-drowning-visitor’s-barefoot-experiments.
At-the-borderline bloodless-flesh staying at-the-death-kit-hotel-forever.

You are going to do bad things to children

I watch her. I watch her. Tell my brother and sister to look out of the other car window. I think they are playing some game. I think that they think this is a game. They’re too young to understand. My mother is on a mission. She is looking for my father. She thinks he is having an affair. She confronts him in the parking lot. He says nothing. It is not as if he does not know where to look but I know that it is not true. Not papa. Not my father. She is screaming at him now. I don’t know whether people are looking now, looking at the two of them, at this scene being played out in front of their eyes or looking away. I destroy my childhood diary when we get at home. I am a child. I am wounded now for life. I don’t know what to do. So this is what I do. I tear page by page out. I scratch out paragraphs. You don’t understand how much I loved this book, this journal but I don’t understand yet how to express my feelings, my imagination. My father gave me this book. Every year he has given me a diary in January. ‘This is yours. This is your journal.’ And I smile up at him, and with this book in my hands I can write anything I want. Who do I believe? I am my father’s daughter. I look like him. I don’t look anything like her, my mother. I know she hates me. Perhaps they will separate. Perhaps they will get a divorce. They drive home in separate cars. I am numb, struck dumb. I say nothing. My mother is driving too fast. It is unlike her. Her dress is above her knees. Is this what love is? Human nature is human nature. ‘Daddy,’ I say later. ‘I don’t think she’s your soul mate. I don’t think you’re meant for each other.’ But he says nothing, he just winks.

Sexual intercourse, that transaction, lovemaking for me was always dirty. I wanted to remain a virgin forever, pure. I wanted to be a nun. I knew I had to be punished from an early age, make sacrifices, always wear black, and kneel when I had to pray but I was not Catholic. But my mother put that idea straight out of my head. She told me that there were no nuns anymore and then I wanted to be a priest but everybody knows how corrupt church leaders are. I knew that I felt damaged, bereft, and lonely even as a child so I found comfort in books. Even when I grew older and watched films where girls would remove their articles of clothing watched by an aroused older man I would feel nothing. Absolutely nothing. Maybe it came from childhood. The orgasm in both the male and the female disgusted me maybe it stemmed from the fact that I hated my mother who I thought had been so wrong, so incompatible with my father (whatever had they spoken about when he wooed her I certainly do not know. He was cultured and educated, he had a degree and she could type thirty-five words a minute and she had a diploma) but I loved my father and worshiped him. And for all my life I have wanted a perfect love and not a physical love. All my life I have wanted to be protected from all of life’s storms, other women, younger women, girls, I wanted to be given a sanctuary to write and as an adult I would watch the flickering images of pornography silently screaming with laughter inside. So this is what men and women would do to conceive children, their bright angels, and heirs to thrones of addiction, substance abuse and domestic violence. There would be little or no dialogue. I would get either insanely jealous of their stupid voices even though I knew every little thing from the props to the bed was fake. Why couldn’t I do that? What was so wrong with me? After all they were merely actors acting, doing what they were told to do, posed, directed, and projecting. I was bored with it all and wondered where my head was at. Of love and sex I knew absolutely nothing at all. It bored me but not the love story, not the loss, the reject or rejection, the lover male or female leaving. Little slut, little whore, those weren’t words that bored me, that bothered me. And as I grew up the girl in me died when my mother told me what happens in this house, what is said in this house stays in the house. I came of age very quickly. Abuse will do that to you. Abuse at the hands of your mother, aunts (her sisters, her sister-in-law) the Johannesburg people, bullies on the playground, arrogant male teachers, and your first boyfriend when you are away from home, ten years older than you. Did he force me to do things I did not want to do? It hurt. They say it always does the first time round. I wrote him letters but I was not in love with him. The image I had of my parents watching two naked girls swimming, kissing with tongue, feeling each other as they come out of the water, touching each other, touching each other up and down, caressing their arms, their bodies. They sunbathed nude. It was the first time I had seen breasts, the voluptuousness of a woman’s figure and full frontal nudity. And something inside of me, a little voice said that my future life as a daughter who loved both her mother and father and a future life as wife, lover and mother had not only been sabotaged but ultimately destroyed forever. I was just a child who should have been asleep in bed dreaming. Attempted suicide is done with both eyes shut. This is not my time. No tunnel of white light. Sylvia Plath and Anne Sexton. The confessional poets. Sylvia, Abigail the exhilarated crazies. Look at me. The South African horror story. A landscape made of bars at the window, psychiatrists, and psychologists.

The nervous breakdown, bipolar, mental illness, crazy, insane, lunacy is not written on the body unless you tattoo it on your arm with a razor blade or cutting. You can be the perfect child but can your mother perfectly love you in a flawed world, in her flawed world. She did not want me with my effortless merits, my stage plays and rehearsals, my stories, oh no, she especially did not want to read my stories. ‘Leave it next to my bed.’ She said. ‘I’ll read it before I fall asleep.’ And I did but she had more important work to do. Shower, dress, make breakfasts, and go to work. ‘Oh, I’ll read it later.’ She said whenever I confronted her about it. She was doing even much more important work then. Watching her soap opera with her stockinged feet up on the sofa chair, her heels next to it with her eyes half-closed, dreamy, Hitler but without the moustache and the wall of tyranny. ‘Kiss me.’ She demanded from my asthmatic brother wearing his cowboy hat pulling his wagon around the family room. And I made endless cups of tea. And as I made each cup my heart would fill with hope that she would say, ‘My clever girl. You’re growing up so fast.’ But of course she never did. We were scavengers. We ate what we could find in the kitchen and if daddy wasn’t pensive he would go out and buy us something to eat for supper. My father would cry a lot and I would put my arm around his shoulder, barely reach it though and ask him, ‘Do you want to talk about it?’ but that just made him cry harder and it was even more difficult to make him stop. I was always near the top of my class but there were issues, damages. They were always fighting.
‘Good night mummy. Sleep tight. Sweet dreams. I love you.’ No answer in return and it bounces off walls. I am turning thirty-five bordering on thirty-six. It will be my birthday in two months. Valium nearby (always close), Letters to a Young Poet by Rainer Maria Rilke next to my bed, Poems by Sylvia Plath Chosen by Carol Ann Duffy, Poet Laureate. Childlike in an adult world. The only world in which I belong is media, that and the local Olympic-sized swimming pool. Clogged in a caged childhood continued, sentences slaughtered by laughter, coughing, a closeted collection of books (textbooks, poetry and short story anthologies, a string of J.M. Coetzee’s books line a shelf, The Childhood of Jesus the latest), blackness, traffic fills the inside of me that was always the exchange. I can only fall asleep with a handful of sleeping pills. I take long naps in the afternoon and wake up in near-darkness. Pills. Pills. Pills. Pax. Epilizine. Eltroxin. Melatonin. Zopiclone. Ativan. I have no inclination to go to Paris. Rilke hated it there but on the other hand Hemingway seemed to have taken to it like water off a duck’s back. Anyway I suffer from vertigo. Mostly people go to Paris because it is romantic. Isn’t the Eiffel tower romantic? You won’t get me up there. I am a hypochondriac and become anxious as hell when I am introduced to novel people and places. It terrifies me. What a laugh? Did she clap? Was she clapping? Is she proud of the fact that I am a storyteller and a poet, not a politician, not a politician’s wife or anybody’s wife for that matter and not the playwright or documentary filmmaker I wanted to be in high school? When she took her seat in the theater was she proud, was she beaming from ear to ear like the Cheshire cat. Depression is boring. But I’m used to it now. Every six months I’m shipped off for a week or so to a hospital to recover from psychosis, hallucinations. What a trip for my ego? I can’t sleep. I can’t eat. My sister never comes to visit. She doesn’t live here in this country, in this hellhole anymore. She lives in Johannesburg. My glory days are over. I’m afraid they’ve gone kaput just like all the men in my life. The only thing that’s ever stayed put is my stream-of-consciousness writing, my journaing and my armchair traveling and the people that I love the most in the world dying on me when I least expect it and leaving me alone to now dance with the brave, swim with the fishes, eat slippery sardines on toast that taste like salt and light. The rooms are airy in the house. I have to remember to breathe in when I come home from the hospital. There’s not much they can do for me there but wait for the hallucinations, the psychosis to pass but the insomnia stays with me, winter’s bone to carry me home. I’m a claustrophobic in the occupational room. They leave me alone to make collages out of colorful magazines. What big eyes the pictures have if I look closely enough, long and hard enough. A hazard to myself, a danger to myself and to others. During the day everything feels cool to the touch, spacey and clairvoyant. I’m seeing things. I’m hearing things. Voices. Dead people. Spirits. Spirits need homes too. They need to be accommodated. Spaces, shapes, anything metallic, corners and angles. Please don’t bring me flowers to brighten up the space next to my bed. I’m dying but then again I’m not dying. I’m living. Such is life. I’m cold but then again these days I always feel the cold. Sylvia is coming through. She has been deeply unhappy and afraid for such a long time. Her time is running out. I feel just like humanity, everyone else even spirits need to talk things out you know.
Sylvia Plath said it best in her own words as I have written it down here word for guided word.

We live in a world where when you’re regarded as extraordinarily gifted you have to be extraordinarily brave too. So when people hurt us our first instinct is to feel as if we have incredibly screwed up, but you know what pain is just pain and we have plenty to gain from it. We have to face up to the gigantic and staggering proportions of brutality on this earth-plane some time. We have to tell ourselves boy, this is going to take some time to get used to. And maybe, just maybe the world is trying to sell our soul something, stir things up in our consciousness or tell us that our spirit needs an adjustment. No one was there. I waited and waited and waited. You know I thought someone would just turn up, show up out of the blue. Maybe Ted would have come with flowers. Maybe he would have said he was sorry. I would have said I was sorry. I was just a fragile wreck. Maybe I should blame it on my gender. Females tend to get emotional, fly off the handle you know, go kaput but that evening I just got so flustered and moody. I was filled with despair and a feeling of hopelessness. I wasn’t thinking straight and maybe if someone had been there, a friend, a terrific friend, and an angel I wouldn’t have taken my own life. I would have outlived Ted. I’m sorry. What a mess I’ve made? I saw you Assia. Ted’s little wife. His brilliant housekeeper. Stop touching my things. Stop moving them around. Ghost house. Who is the ghost? Sylvia. Sylvia Plath. Knock on my door. I cannot open it. My fingers are all thumbs. I guess that’s what happens when you become a ghost. You also cannot scream. You cannot screech. You cannot shriek because that would be very unladylike. You need a string of pearls, gloves and soft white stockings for that. I caught Assia wearing my pearls one day. I pouted the whole day in that house walking into walls, through them as if they didn’t exist, as if they weren’t there at all. Did Ted care? He was too busy making love to Assia. I could hear them. Their pillow talk, their radiant glow if glows could be heard, how sensual her excitement was to him. To all the women in the world who have survived the ups and the downs, the lows and the highs you are going to do bad things to children. You are going to forget them, to hug them, to feed them (the word nutritious won’t belong in your head or diary), that they even exist when they are standing with baffled looks on their faces in front of you and theatre tickets won’t make up for a lost childhood, a lost mother. You are going to forget say that you love them, you are going to forget to make that birthday cake and buy one instead that tastes like yesterday’s newspaper, you are going to buy fish and chips instead of slaving over the heat in the kitchen, over pots and pans, you’re going to make mistakes and live a life of regret and they will grow up and become adults who will resent you for it and perhaps stay bitter about it for the rest of their lives. You are going to want to be a sex machine and play the femme fatale for all the days of your life. And you will wonder who is this mummy, and that who is this mother-figure that they’ve meant you out to be. And home will never be the same again. Home will never be a safe place for your children. I can see the tunnel of light now and the dominions of angels standing guard. I can no longer stand guard over adult children. One depressive, one dead. Just my luck I suppose. Ted and I should never have rowed in the first place. I sent him straight into the waiting arms of Assia Wevill. Women are infinitely crueller than men. Men want women to be sex machines all the time and then when children enter the picture what happens then. Domesticity? The bliss of family life with chickens, a tiny place in the corner of the world to call your own? What terrible mistakes I’ve made. I should have stayed in America. America was my home. I was an American girl. I’m so far away now from everyone and everything that I’ve ever loved since I was a girl. Perhaps Otto will understand me now. Like father, like daughter. A daughter following in her father’s footsteps. Wake me up from this nightmare, from this terrible dream of my own doing. My perfect, perfect love W. I am Lady Macbeth. I am Lady Lazarus. Peel the bright stars off the dead scar of a sky.

Wake me up. Wake me up. Wake me up ever so gently. I feel so numb as if I can never feel anything ever again in the wide, open spaces of this world. It feels very nerve-wracking to me. I never wanted to go like this. It’s all been a terrible mistake you see. It’s just that I’ve been feeling so grim lately and it just came upon out of the blue but I have this plan. I’ll go to the beach. The beach is the perfect place to dismantle depression. I’ll go swimming in the warm ocean water. He’ll come back to me because he loves me. He can’t love her. No, he can’t. She’s terrible. She’ll be a terrible housekeeper, touching my things and not being able to keep her hands off them. I’d love to see her put an apron on and show off her cooking skills in the kitchen. She can’t even peel potatoes so how can she cook. Tell me that. How can she run the household? She knows nothing about children. Teach them German! That damned Nazi language. That damned Jewess. Warren was planning on coming. He was planning on coming to help me with the children. God, what have I done, what have I done. Forgive me. I’m counting on his silence. A cheat is a cheat is a cheat. I was honest and good. Wasn’t I honest and good or did I too play a role in his philandering? And the children? I had beautiful children. He got to love them, raise them, watch them play, watch them grow up and I didn’t. My shoes, my dress, was I even thinking of what I was wearing that evening. I remember I was wearing my white shoes, very ladylike and such and I stuck my head as far as I possibly could into the oven. I wanted to do it right you see. No turning back from there. If only I could turn the clock back and hold my fat, healthy babies again, be young again, be twenty-three and not have let him kiss me on the neck. And not let it have been a whirlwind romance. Where was the wooing, the seduction and I had hated Spain so much. He took me there on our honeymoon. He took Assia Wevill there too, his lover, my rival, the woman he left me and his young family for. And what did it matter in the end. He still won prizes, loads of them, had lady friends and young girls fawning over him, and he even got married again. Lucky strike. Handsome is as handsome does. He found love again. The butcher, the baker and the candlestick maker. I’m dead aren’t I. I’m deader than dead. I’m a real nobody now. No good to anyone but they say lovely things about my poetry, about my Ariel, nothing about my sonnet that I won some prize money for, or my short stories or my second novel. I burned that. Now that was bliss. When he left me and the children alone while he was gallivanting around London with Assia I just found that I had so much time on my hands so I literally made bonfires in the yard and burned a life half-lived on truth, lies and deception. Letters, verses, correspondence, papers, anything that was important to the famous Ted Hughes. Famous in life, even more famous in death. This time I’m not coming back for real am I. I’m not going to be found alive three days later. The ghost house, that’s what his Assia called my house. They didn’t even move my body yet but I knew she was there. I could see her. She was always touching my things, moving my things around but I knew she was done for when she had the abortion. I knew then that he would never marry her. Perhaps I even knew this before he did. Oh, my words, my poetry, my Ariel and they have gained popularity over the years, they still have substance but then so again did my jealous streak, my nervous breakdown, my bipolar illness, my suicidal illness as it later turned out to be written about by female poets from a much younger generation. Say the words mental illness and you’re immediately sensationalised and stigmatised at the same time. Lucky, lucky me. Otto are you looking down at me? Are you waiting for me to cross over? Is it my time yet? Time to say my goodbyes to my beautiful Frieda? Oh I’ve been so unlucky in love. Goodbye cruel world but I say that only half in jest.

You want me to wear a ball and chain. You want me to come with you hook, line and sinker. Well, I am not anchored to this world in any shape, way or form anymore. Who will save me from myself? Ted and his line of, his succession of mistresses. I have the features of a mannequin now. No, lipstick won’t do. How do you prepare yourself for the hereafter? Will the horses of the apocalypse come for me? I’ve have a rough, rough time Otto. Sorry I didn’t come and see you but I couldn’t. I just couldn’t. I needed country air that evening and rest not gas. When depression is beating on your door, don’t let that ghost in you hear me. Put your feet up, or get into bed, close your eyes and rest. Tell me how do I look? How do I look for death? Simply gorgeous, right? Simply gorgeous mess. I have to fix my face. I just have to fix my hair. I’m a mess. I’m a mess. I’m a mess. A spaced-out mess. Oh, Warren I didn’t mean for this to happen. You know me. Once I get an idea into my head. I’m so pale. I’m starving. I haven’t had anything to eat the whole day. But when death comes knocking at your door. Your time is up when your time is up. What a mess! And if there was only someone to hold me, to hold onto that evening. Could nobody tell anything was the matter, anything was wrong? Where were all my friends, my terrific, terrific friends? My partners-in-crime were nowhere to be found. Was all that I was good for was a cocktail at a book launch? My Frieda is beautiful (always has been) and that precarious act she had to balance on as a child, as an adolescent is finally no more. I guess this is my way of saying goodbye. There was a dream. I found a dream in Ted’s eyes and then the dream was no more because Assia Wevill awakened the dream in him once more. Daddy are you there? Otto, it is me your daughter, Sylvia. I am finally coming home. It’s time isn’t it? Time for me to move on, to move up skywards, cross over. Have I done bad things? Yes. So many prying eyes want to read my journals, my letters home, is my poetry not enough for them? There are papers read, exhibitions, enough said. I’m tired now. My arms are dead weight. This is what you wanted Ted. You wanted to be free. I am giving you your freedom but it comes with a price. Silence. I can’t wake up, sit up straight, talk. I must have taken something. What’s wrong with me? God, what’s wrong with me? I must be dead.

Ann Quin

Water has become
like my own alcohol
While I bask
In dreams of writing fiction

Hallucinatory illness
psychosis, threads
Always communicating
with each other

As if I am not there
only eavesdropping
On the conversation
Don’t talk to me

About tortured souls
or the ones who never
made it, were transformed by it
Lived through it, survived it

The atlas of their brains
and limbs asylum pieces
every one possessed
with a hard substance

Animal awakened by ritual,
Don’t talk to me
about the loneliness
or the Brighton people

As if it is supposed to mean
Everything to me like scar tissue
What terrible dreams I have
Of the ghost house, of insomnia

Of my childhood continued
Animals are dream catchers
The pigs are lurking there
Behind the looking glass

Their horrifying yet vital
dream-language must still
Be translated by inhuman me
By my incoherent brain.

The carpenters

Fingers-cold-numb. They are my bright-stars of all time. I didn’t just see them as singers but children-protected-by-their-loving-and-financially-secure-parents-and-sane. The brother-and-sister that I wanted justice for, her cry for help who sang love songs to death and made a stimulating and pretty noise inside of my head. I-can’t-smile-just-observe-myself-under-pressure. Even-Cinderella-contemplated-suicide-once-upon-a-time.

I thought that what they did was art. Genius. I just wanted Karen to eat. Now that everyone knows what anorexia nervosa is and how this eating disorder is tragic, self-loathing is tragic, self-pity is tragic and how it wastes away the body, the reproductive system especially. And in the last days of her life I wonder if she could even bring herself to make herself breakfast and eat it or was it just swallowing a handful of laxatives and diuretics that got her through the day, a coriander leaf. Where the hell was her four leaf clover? Anorexics, I don’t worship them as I do writers now anymore. I worship poets more. I miss her. I miss Karen Carpenter and the dresses she used to wear when she used to perform. I wonder what her voice would sound like now, her albums, what she would look like if she performed or toured in Japan. If she would have had that station wagon and those children. Why on earth wouldn’t anyone want to wear a kimono around the house? Anorexia move over. Something else has taken your place, triumphed.

It’s called suicidal illness. So if you’re special, gifted in some way, exceptionally intelligent, brilliant at falling, not falling in love, not being the marrying kind, being the divorced or flying solo or having flings or being promiscuous kind then perhaps this advice is for you. You can either take it or leave it. Behave yourself and eat all your vegetables on the plate because in the end women are designed for revolution more than men. You’ll be rewarded with a cool glass of pineapple juice or orange squash. Gulp it down. Soon it will taste like you’re getting lasagne meat on your bones that for the longest time have felt like you’re having an infidelity, like vitamins, the aftertaste in your mouth of the clinic and still you won’t put weight on. You will ask for yoghurt and ice cream. You will tell the nurse oh today you feel like a salad, a tomato sandwich, wilted lettuce and nothing else and she will just look at you with her death-ray stare until you want to punch her in the face. You will pinch your skin even though you are skinny-thin, on ‘death-row’ but what they don’t understand or do understand is that mummy never said she loved you.

You simply weren’t loved enough, good enough and your parents will tell this handsome psychiatrist who is married and has a daughter and a son that you are a superstar why do they need to tell you of all people in the world that they love you and instead of your mother taking your hand or stroking your face as if you were a child again you’re thinking I need a Band-Aid and your mother will tell you to stop sulking. ‘Karen you would look so pretty if you would just eat. I have some recipes. I made a list. I brought a tapestry along with me.’ And I will think to myself to do you love me, do you see me? I need to get back into the studio. I need to make another hit record. Maybe you were disobedient and had to be punished for something you did as a child that you can’t even remember. You did not obey someone or follow the rules. You can’t even remember the last time you ate a pizza crust. And the cute psychiatrist will ask you why are you doing this to yourself? Are you sick (is this lingo for crazy)? He assures you that he is here to help you but you can’t help but look into his dreamy-eyes and believe him. Perhaps therapy. But you mother coolly interjects and says this family does not talk about their feelings.

The whole world loves you. You have fans in Japan and maybe even in Jericho. Maybe they groove to your hip beat in Tel Aviv. You want to tell him these things but then again you think maybe he will prescribe you something. Sleeping pills. No, not such a good idea. She feels fatigue. Do you think about death, about dying? The cutie (the psychiatrist) asked. Is chocolate a food group, a protein, where does it fit on the hierarchy of the food chain is what Karen wanted to ask. Why do people go around saying all the time, ‘Death by chocolate?’ or things like, ‘Can we be buddies?’ ‘Why do I feel so deprived if I’m supposed to be the denim-wearing all-American-girl? The brunette with barrettes in her hair. Am I too rich, too out of touch with reality like all the great ones, the great artists? What I really feel is that I’m a failure, that I’m doomed. I seem to have this complex. Life is complicated enough as it is I know so why am I not fascinated and fascinated all at the same time with sadness and other people’s lives, their cruelty, their survival, my guilt trip, my survival-kit. I don’t understand that doctor, and the doctor that she wanted to impress would tell her that all anorexics suffer from a type of perfectionistic streak and that all she had to do was love the people who loved her and they would love her back.’

You see doctor I want my mother to acknowledge me for who I am and not the persona, the pose, the pout, the singer who sings love songs but I don’t think that she does. In fact I know that she doesn’t. Anorexia taught me a lot about death. You will not survive if you do not eat. Doesn’t a boiled potato with its brains mashed out like confetti taste like an exotic fruit after you haven’t eaten it in months? And turkey tastes like chicken anyway at thanksgiving. ‘You’re special Karen. We’ve always known that. I mean she’s always had this extraordinary voice and she and her brother have always been so close.’ This is her father. He is smiling warmly at her but it is merely an image, a figment of her imagination and instead of her feeling closer to him it feels as if he is killing her. She can feel that spark, but her claws are out, she feels as if she cannot function anymore or be productive. She is sick, ill. She has an affliction of some sort that we are capable of dealing with ourselves and not involving outsiders. We love one another. We don’t put each other down, laugh at our flaws, at our own expense. We are who we are.

And here I will say like Hemingway, Salinger, David Foster Wallace, Rilke, Jeanette Winterson and Shakespeare. It’s impossible to be perfect all the time is something that mother Carpenter would be likely to say. We are not like other families. We are not dysfunctional. What does that word even mean? I remember her as being livelier. Was more or less what her mother seemed to be saying or what do you want me to bring me the next time we come into town? I think her mother wanted her to say bring me a deep crust pizza, hotdogs, Chinese noodles, cheese, something to embroider while watching reruns in the tiny television room but all Karen wanted her mother to say was, ‘I love you.’ As if they were taking vows to spend the rest of their lives together with only eyes for each other. For Karen eating became something close to earth-shattering. She wrestled with the food on the plate with her fork until she thought perhaps she did need medication instead of the tender loving care of a smother who folded the kimono away that was bought for her in Tokyo by mostly Karen, who thought it would be a loving gesture towards a loving mother who put it in a cupboard in the box that it had come in and forget about it.

Eating became harder and harder for Karen and she never was as passionate about it as she had been as a ‘chubby teenager’ as one music magazine had put it years and years ago.
‘I’m fine Richard. I am ready to work. I want another number one record so badly like you wouldn’t believe it. The music scene changes all the time. We have to keep up with the trends, with what’s current. We’re still the champions of the world. Let’s open up a bottle of champagne and celebrate my homecoming. ’ She told her brother. They all pretended she was alright. Karen Carpenter, sweet girl, superstar that she was pretended everything was alright. Everybody put on a brave front. ‘Yes, yes, everything is going to be alright.’ Their father said as they sat down to eat like pilgrims around the thanksgiving table. ‘The Carpenters all together again. One big happy family.’

Well Karen I’m going to be a beast now. I’m going to be honest with you because I feel somebody who loves you and is close to you needs to be. You look like a wreck. Why don’t you take care of yourself, look after yourself first? This is not a good look for the Carpenters, for the team. How can you feel so detached? I want you back.

The real you. The way you dress now doesn’t impress me. SALAD-IS-NOT-FOOD NEITHER-IS-EATING- PLAIN-YOGHURT. You are going to die if you do not eat this turkey breast. Have some sauce too. You think being thin and becoming skinny-thin is the same thing but it’s not. You were beautiful then but now you have turned into a monster but her brother knew if he had said this to her he would have made his mother crazy-mad and his sister would have cried, wept for a man who would have held the door open for her after bringing her home after a night of bowling. But he never did. When you waste away it’s intimidating at first to the atoms and the particles that you are made up of. You think you can go back to the way you were. And you often think to yourself how am I going to fix this now? Skinny is the new terrific-looking. I felt as if for the first time in my life I was being fiercely admired, intensely adored, if I staggered or stammered I staggered and stammered grandly. I didn’t need prayer. I needed to be worshiped. There was the old Karen, the singer with the stunning voice, the drummer, part of an award-wining trio, the first Carpenter who got signed to a record label, the Romantic-singing-poet and the new Karen who was a skinny-thin version of herself.

So the greats. First up. A tapestry of Hemingway. Where-every-thread-seems-harmonic. I want to put my hands in his pockets and wonder what I will find there. In the inner lining of the fabric of his garments. Will I find the disease of alcoholism there or scribbled-notes (bits-and-pieces) of his phenomenal writing? Then there’s Salinger. What rapture? Wretched rapture that rips me apart at the seams. The man, his mind, his imagination, his characters dialogue (I wanted more of his genius, of Holden). I want to body-surf in it, swim-with-the-fishes, and show them my shark teeth and how I can put it to good use. He had far too much imagination in him. I think he stalked love or he was much more in love than with being in love. David Foster Wallace forever masked in a hellish cloth experiment. I will miss him. Karen Green will miss him infinitely more. His-life-was-brief-but-beautiful and he was good-at-sketching-the-oblivious-of-the-oblivion. Rilke hated the feast of Hemingway’s-Paris in every way.

But out of all them William Shakespeare beats them down. He’s my cocaine, my marmalade, my cheese on toast, French toast, tuna fish sandwich, and poppadum. I think he was the most vigilant when it came to dying young for love, for human violence. On-the-surface he was conservative (when it came to pornography, adultery, family, children). He did not watch his children grow up and play with kittens, stroke the ears of puppies. I think he lived alone when he wrote. He was a terrific-everything and a real nobody all at the same time. Cranking out all those sonnets, play after play, poetry. He never ceased to amaze. But I wonder about his scar tissue. His wounds enthral me. I find them sexy like words like mitochondria. Hemlock. Poison. Gourmet chef. Lobster. Gift. Christmas presents under the tree. Scout. Talented-with-tools. Brilliant-with-instruments. The-mark-of-a-man. An overwhelming nurturing woman. Opinion. Probability. Rope. Catholic. Winterson was a carpenter too making drawers (with-secret-compartments) out of words. They’ve all made lovely carpenters. Children too have skills, stages and spotlights.

Light bulbs and holy ground, plant them in fertile soil where the bulb will grow and the filament will with so much gratitude flash light and a halo will appear.