There is nothing lost in translation when coming home to the mock husband. I am not coping because I am not the doctor. Because I am not the one who is fluent in the doctor’s language no matter how hard I try. How will I be able to benefit from wearing that white laboratory coat, stethoscope around the neck, with that particular bedside manner? Where is my infinite piano? Watch this. Watch this romance. It is clever math, no; it is elegant math with all of its violent alertness under my fingertips. What is the weather like in Los Angeles? What is a winter like in Los Angeles? What will my head say to my heart as I walk on that beach, or breathe in that valid air from that Parisian meadow with my moral compass to navigate me on those open roads, the wide open spaces of the Midwest? What will my limbs say to each other in London if I ever get around to having that London experience forgoing all my responsibilities as a writer and a poet in South Africa? For is not that what I am primarily. A South African writer and poet living in a post-apartheid apocalyptic city. City life as opposed to life in the rural countryside. Searching for greener pastures in the asphalt garden where everything is golden and chameleon-like. I have never wanted the experience of loss. The measure of loss but life has given me that responsibility. Sutures too.
And panic and I have had to thread both against threadbare knuckles. I have covered myself up with an American quilt. It has become my shroud. It has become my cover in other poetry. But I feel it all the time now. The warmth of anxiety. I feel it humming, humming, and humming in my bones. Singing to the leaves on the winter trees. Guests every one. They are like bees. They are a rapturous swarm. What do I know without having a sophisticated culture, a knowledge and education beyond this tidal moon and sun and then I think of the planets. How like the planets I am? I know my place. I know my place so well now that I cannot give it up. And why would I? There will never be a case of mistaken identity. All I will ever know about life is the predictions of Sappho, poetry and writing. And how sometimes how beautifully unpredictable life can be otherwise. There are storms in the dark and we need to speak about the acute pain from those storms in beautiful and wonderful ways. Mostly the image of depression is that of a wild thing. When I am crazy, I know that is when I am most alive. When I am not crazy, when I am most sober is also when I am most alive but I do not know it. All feeling leaves me and I long for the stress of crazy. I long for someone to tell me I am beautiful.
You are mine. The pain of Sarajevo is in my blood. Mingled there in my blood. Staring back at me in my blood and but what can I do but stare back at it? The door was somehow left ajar for me and my heart was bursting. It ready to be split open like a pomegranate. Seeds everywhere like seawater. I found wild oblivion, the safe passage from suffering in those seeds. At first I could not speak of the fantasy that I held in my hands and that my head wished for so ardently. I could not interpret those promised lands that my mocking husband returned from. I needed land and yet I needed to be reborn as well. I needed stress, a tour of the flesh like I needed the back of my hand. I flickered and then I was buried once again amongst the flowers. And with dirt upon my head I soon realised that I was supposed to be the beautiful keeper of the vanished and the unexamined. The apprehended. I do not want to age. To age means to give up your mortality like an artist giving up their brushes. To age means to give up everything. To age means that you are not bold anymore and that you do not have anything to be brave over. It just happens to be in your blood to think these things. Never mind how you try not to. I need to write to you of the quiet courage of our mothers and our grandmothers. So pay attention.
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